{"id":7461,"date":"2024-07-30T16:09:20","date_gmt":"2024-07-30T14:09:20","guid":{"rendered":"https:\/\/kunsthalle-bielefeld.de\/programm\/ausstellungen\/between-pixel-and-pigment-2\/"},"modified":"2025-08-08T10:09:28","modified_gmt":"2025-08-08T08:09:28","slug":"between-pixel-and-pigment","status":"publish","type":"ausstellungen","link":"https:\/\/kunsthalle-bielefeld.de\/en\/exhibitions\/between-pixel-and-pigment\/","title":{"rendered":"Between pixel and pigment"},"content":{"rendered":"","protected":false},"featured_media":6323,"template":"","class_list":["post-7461","ausstellungen","type-ausstellungen","status-publish","has-post-thumbnail","hentry"],"acf":{"blocks_content":[{"acf_fc_layout":"text_sans_gross_zweispaltig","text":"<a href=\"https:\/\/app.interkit.marta-herford.de\/app\/LbdeqKZLBmykRJ5k8\/\" target=\"_blank\" rel=\"noopener\">App with texts on artists and topics related to the exhibition<\/a>","text2":"<a href=\"https:\/\/kunsthalle-bielefeld.de\/en\/museum\/press\/press-material-for-our-exhibitions\/\">Press material<\/a>"},{"acf_fc_layout":"text_sans_gross","text":"https:\/\/vimeo.com\/996589824?share=copy"},{"acf_fc_layout":"text_serif_gro\u00df","text":"\"\u00b4There is a fascinating interface between pixel and pigment where digital and traditional art techniques meet and intermingle. This area explores the interplay between digitally generated images and handcrafted painting techniques, creating new visual languages and forms of expression.\"\n\nChatGPT"},{"acf_fc_layout":"text_sans_gross","text":"The exhibition, developed jointly by the Museum Marta Herford and the Kunsthalle Bielefeld and taking place simultaneously at both venues, is dedicated to post-digital hybrid painting and thus reflects our hybrid post-digital present, anchored between the digital and the analog. In this large-scale collaboration, the focus is on a painterly way of thinking that has expanded considerably, especially in the last ten years, through the equal interweaving of content and technology of the hybrid. The international artists fundamentally question the traditional medium of painting. To what extent do the changes influence materialities, image-media structures and aesthetics? How do hybrid spaces, bodies that have become fluid and a feeling of being in-between find pictorial correspondences? With the Kunstakademie M\u00fcnster as the third project partner, museum practice, academic teaching and research are combined in an experimental way.\n\nThe Kunstakademie M\u00fcnster organized an accompanying symposium, which took place on 19 and 20 July 2024.\n\n<img class=\"size-medium wp-image-6752 alignleft\" src=\"https:\/\/kunsthalle-bielefeld.de\/wp-content\/uploads\/2024\/06\/Pixel-und-Pigment_Ausstellung_Symposium_Veranstaltung-300x200.jpg\" alt=\"Colored lettering on brown background. Written in yellowg: Post-digital painting. Written in pink: re:vise revolution. Written smaller at the bottom in white: Symposium.\" width=\"300\" height=\"200\">"},{"acf_fc_layout":"content_accordion","akkordeon_default_open":false,"akkordeon":[{"titel":"More about the symposium","inhalte":"What do we learn about the traditional genre of painting and the role of digitization when we look at both through the contemporary practice of post-digital painting? The international symposium, organized by Prof. Dr. Nina Gerlach and Dr. Simon Vagts, Kunstakademie M\u00fcnster, sheds light on the history, developments and potentials of post-digital painting. Historical predecessors and reference points play a role here, as do the significance and developments from the so-called \"digital revolution\" to the present day.\n\nWith presentations by\nProf. Dr. Nina Gerlach (Kunstakademie M\u00fcnster), Kristin Klein (Universit\u00e4t der K\u00fcnste), Prof. Dr. Lev Manovich (City University of New York), Prof. Dr. Fabian Offert (University of California, Santa Barbara), Margit Rosen (Zentrum f\u00fcr Kunst und Medien, Karlsruhe), Dr. Luke Smythe (Monash University, Melbourne) and Dr. Simon Vagts (Kunstakademie M\u00fcnster)\n\nThe contents of the symposium will subsequently be published in a scientific publication.\n\nAdmission is free."}]},{"acf_fc_layout":"text_sans_gross","text":"Artists:\n\nS\u00f3nia Almeida, Tim Berresheim, Salom\u00e9 Chatriot, Vivian Greven, Wade Guyton, Tishan Hsu, Jacqueline Humphries, Charlotte Johannesson, KAYA (Kerstin Br\u00e4tsch\/Debo Eilers), Peter Kogler, Vera Molnar, Mukenge\/Schellhammer, Laura Owens, Seth Price, Rafael Rozendaal, Pieter Schoolwerth, Amy Sillman, Avery Singer, Cheyney Thompson, Philipp Timischl, Corinne Wasmuht, Anicka Yi and others."},{"acf_fc_layout":"text_serif_normal","text":"In cooperation with:"},{"acf_fc_layout":"logos","logos":[6327],"subline":""},{"acf_fc_layout":"bild_single","bild":6945}],"gallerie":[{"bild":6528,"laufweite":90},{"bild":6508,"laufweite":50},{"bild":6512,"laufweite":85},{"bild":6522,"laufweite":55}],"subtitle":"Hybrid painting in post-digital times"},"_links":{"self":[{"href":"https:\/\/kunsthalle-bielefeld.de\/en\/wp-json\/wp\/v2\/ausstellungen\/7461","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/kunsthalle-bielefeld.de\/en\/wp-json\/wp\/v2\/ausstellungen"}],"about":[{"href":"https:\/\/kunsthalle-bielefeld.de\/en\/wp-json\/wp\/v2\/types\/ausstellungen"}],"version-history":[{"count":1,"href":"https:\/\/kunsthalle-bielefeld.de\/en\/wp-json\/wp\/v2\/ausstellungen\/7461\/revisions"}],"predecessor-version":[{"id":11492,"href":"https:\/\/kunsthalle-bielefeld.de\/en\/wp-json\/wp\/v2\/ausstellungen\/7461\/revisions\/11492"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/kunsthalle-bielefeld.de\/en\/wp-json\/wp\/v2\/media\/6323"}],"wp:attachment":[{"href":"https:\/\/kunsthalle-bielefeld.de\/en\/wp-json\/wp\/v2\/media?parent=7461"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}