{"id":8832,"date":"2024-11-13T16:41:31","date_gmt":"2024-11-13T15:41:31","guid":{"rendered":"https:\/\/kunsthalle-bielefeld.de\/kb-kosmos\/auguste-rodin\/"},"modified":"2025-01-24T14:19:29","modified_gmt":"2025-01-24T13:19:29","slug":"auguste-rodin","status":"publish","type":"digitorial","link":"https:\/\/kunsthalle-bielefeld.de\/en\/kb-kosmos\/auguste-rodin\/","title":"Auguste Rodin","content":"","excerpt":{"rendered":"","protected":false},"featured_media":{"alt":"The finely chiseled head of a woman with a face contorted in pain rises from a roughly hewn block of white marble. The block is 50 cm high and 67 cm wide. The woman's head is tilted back, her eyes are closed, her mouth is slightly open and her hair is loose.","title":"Rodin Douleur_Webseite_KB Kosmos","caption":"Auguste Rodin, The Pain - Memory of Eleonora Duse, around 1904. \nOne of three versions in marble.\nKunsthalle Bielefeld","width":1151,"height":1000,"sizes":{"thumbnail":"https:\/\/kunsthalle-bielefeld.de\/wp-content\/uploads\/2024\/11\/Rodin-Douleur_Webseite_KB-Kosmos-150x130.jpg","small":"https:\/\/kunsthalle-bielefeld.de\/wp-content\/uploads\/2024\/11\/Rodin-Douleur_Webseite_KB-Kosmos-300x261.jpg","medium":"https:\/\/kunsthalle-bielefeld.de\/wp-content\/uploads\/2024\/11\/Rodin-Douleur_Webseite_KB-Kosmos-768x667.jpg","large":"https:\/\/kunsthalle-bielefeld.de\/wp-content\/uploads\/2024\/11\/Rodin-Douleur_Webseite_KB-Kosmos-1140x990.jpg","full":"https:\/\/kunsthalle-bielefeld.de\/wp-content\/uploads\/2024\/11\/Rodin-Douleur_Webseite_KB-Kosmos.jpg"},"srcset":"https:\/\/kunsthalle-bielefeld.de\/wp-content\/uploads\/2024\/11\/Rodin-Douleur_Webseite_KB-Kosmos-300x261.jpg 300w, https:\/\/kunsthalle-bielefeld.de\/wp-content\/uploads\/2024\/11\/Rodin-Douleur_Webseite_KB-Kosmos-1140x990.jpg 1140w, https:\/\/kunsthalle-bielefeld.de\/wp-content\/uploads\/2024\/11\/Rodin-Douleur_Webseite_KB-Kosmos-150x130.jpg 150w, https:\/\/kunsthalle-bielefeld.de\/wp-content\/uploads\/2024\/11\/Rodin-Douleur_Webseite_KB-Kosmos-768x667.jpg 768w, https:\/\/kunsthalle-bielefeld.de\/wp-content\/uploads\/2024\/11\/Rodin-Douleur_Webseite_KB-Kosmos-520x452.jpg 520w, https:\/\/kunsthalle-bielefeld.de\/wp-content\/uploads\/2024\/11\/Rodin-Douleur_Webseite_KB-Kosmos.jpg 1151w"},"template":"","digitorialkategorien":[88,91],"class_list":["post-8832","digitorial","type-digitorial","status-publish","has-post-thumbnail","hentry","digitorialkategorien-dream-and-fiction","digitorialkategorien-living-together"],"acf":{"blocks_content":"   <div class=\"blocks-content container\">\n                                                                              \n         \n         <div class=\" mb-475 mb-sm-5 mb-lg-55\">\n            <div class=\"row justify-content-center the-content \">\n\n               <!-- Headings -->\n                                                                           \n                                             <div class=\"col-12 col-sm-10 text-center\">\n                           <figure class=' -has-caption' ><img src='https:\/\/kunsthalle-bielefeld.de\/wp-content\/uploads\/2024\/11\/Rodin-Douleur_Webseite_KB-Kosmos-1140x990.jpg' srcset='https:\/\/kunsthalle-bielefeld.de\/wp-content\/uploads\/2024\/11\/Rodin-Douleur_Webseite_KB-Kosmos-300x261.jpg 300w, https:\/\/kunsthalle-bielefeld.de\/wp-content\/uploads\/2024\/11\/Rodin-Douleur_Webseite_KB-Kosmos-1140x990.jpg 1140w, https:\/\/kunsthalle-bielefeld.de\/wp-content\/uploads\/2024\/11\/Rodin-Douleur_Webseite_KB-Kosmos-150x130.jpg 150w, https:\/\/kunsthalle-bielefeld.de\/wp-content\/uploads\/2024\/11\/Rodin-Douleur_Webseite_KB-Kosmos-768x667.jpg 768w, https:\/\/kunsthalle-bielefeld.de\/wp-content\/uploads\/2024\/11\/Rodin-Douleur_Webseite_KB-Kosmos-520x452.jpg 520w, https:\/\/kunsthalle-bielefeld.de\/wp-content\/uploads\/2024\/11\/Rodin-Douleur_Webseite_KB-Kosmos.jpg 1151w' sizes='(min-width: 576px) 66vw, 94vw'  alt='The finely chiseled head of a woman with a face contorted in pain rises from a roughly hewn block of white marble. The block is 50 cm high and 67 cm wide. The woman's head is tilted back, her eyes are closed, her mouth is slightly open and her hair is loose.' width='1140' height='990'  loading='lazy' ><figcaption class='col-12 col-xs-8 col-sm-8 px-sm-3 px-xl-4 mx-auto'>Auguste Rodin, The Pain - Memory of Eleonora Duse, around 1904. \nOne of three versions in marble.\nKunsthalle Bielefeld<\/figcaption><\/figure>                        <\/div>\n                                       \n                              <!-- End Switch Layout  -->\n\n            <\/div>\n         <\/div>\n                                                                                       \n         \n         <div class=\" mb-475 mb-sm-5 mb-lg-55\">\n            <div class=\"row justify-content-center the-content  font-l sans-serif\">\n\n               <!-- Headings -->\n                                 <div class=\"col-12\">\n                     <p><audio class=\"wp-audio-shortcode\" id=\"audio-8832-1\" preload=\"none\" style=\"width: 100%;\" controls=\"controls\"><source type=\"audio\/mpeg\" src=\"https:\/\/kunsthalle-bielefeld.de\/wp-content\/uploads\/2024\/12\/Rodin_Schmerz_Eulentraum_KB-Kosmos_301124-230225.mp3?_=1\" \/><a href=\"https:\/\/kunsthalle-bielefeld.de\/wp-content\/uploads\/2024\/12\/Rodin_Schmerz_Eulentraum_KB-Kosmos_301124-230225.mp3\">https:\/\/kunsthalle-bielefeld.de\/wp-content\/uploads\/2024\/12\/Rodin_Schmerz_Eulentraum_KB-Kosmos_301124-230225.mp3<\/a><\/audio><\/p>\n<p>Rodin was inspired to create this sculpture by his encounter with the then popular actress Eleonora Duse in Paris. However, the sculpture is not a portrait of Duse, even if the facial features are similar. Rather, it represents a universal expression of pain, despair and grief. This is because the head was intended to represent a son of Ugolino. According to legend, he was sentenced to death by starvation along with his sons and grandsons. Like <em>The Thinker<\/em> in front of the Kunsthalle, this motif originally comes from the <em>Gates of Hell.<\/em> This is the name of the design that Rodin created in 1880 for the portal of the new <em>Mus\u00e9e des Arts D\u00e9coratifs<\/em> in Paris on behalf of the French state.<\/p>\n<p>The clearly visible roughness and the unfinished effect are characteristic of Rodin&#8217;s novel approach to the genre of sculpture. Two other very similar versions in marble belong to the Kunstmuseum D\u00fcsseldorf and the Ny Carlsberg Glyptothek in Copenhagen. Our version was installed in the foyer of the municipal theater until 1980.<\/p>\n                  <\/div>\n\n                              <!-- End Switch Layout  -->\n\n            <\/div>\n         <\/div>\n                                                                                       \n         \n         <div class=\" mb-475 mb-sm-5 mb-lg-55\">\n            <div class=\"row justify-content-center the-content \">\n\n               <!-- Headings -->\n                                                                                          \n                     <div class=\"content-accordion | col-12 py-3\">\n                        <div id=\"content-accordion-2\">\n                                                         <div class=\"akkordeon-item | bg-gray-200 rounded-4 mb-1\" >   <!-- head -->\n      <h3 class='akkordeon-header font-xl py-125 m-0' id='content-accordion-2-head0'>\n      <button class='akkordeon-header__link d-flex w-100 line-height-12-force  shadow-none font-l-force text-start justify-content-between hover-text-shadow-light btn btn-overlay round collapsed' role='button' data-bs-toggle='collapse' data-bs-target='#content-accordion-2-col0' aria-expanded='false' aria-controls='content-accordion-2-col0'>\n         <span class='akkordeon-header__text pe-3 pe-lg-4'>A new approach to sculpture - the production process  <\/span>\n         <span class='akkordeon-header__icon round flex-shrink-0'><\/span>\n      <\/button>\n   <\/h3>\n\n   <!-- body -->\n<div id='content-accordion-2-col0' class='accordion-collapse collapse ' aria-labelledby='content-accordion-2-head0' data-bs-parent='#content-accordion-2'><div class='akkordeon-body'>                              <div class=\"akkordeon__text font-l last-child-mb-0 the-content -btns-black px-325 pt-2 pb-35\">\n                                 <p>It corresponds to Rodin&#8217;s working method of reusing existing models and combining them in a different way. There are also older and smaller versions of <em>The Pain<\/em> in plaster and bronze for the <em>Gates of Hell<\/em>. The large version was not sculpted in marble until after his meeting with Eleonora Duse around 1904. Rodin first modeled the figures in clay in his studio in Meudon (France). A hollow mold is taken from this model as an impression, which is then cast in plaster by molders. The work is then carried out in the final material with the help of practitioners.<\/p>\n<p>The raw and unfinished appearance of the sculpture <em>Pain<\/em> is typical of Rodin&#8217;s working method and characterizes his modern approach to sculpture. Classical sculptures represent an object in an ideal, perfectly formed way. For Rodin, however, the depiction of a particular motif is of secondary importance. He concentrates on making work processes visible in the form and surface design. <em>Pain<\/em> is a non-finito work. The partially unfinished parts of the material make the work appear unfinished.<\/p>\n<p>&#8220;<em>All the essential forms are there, and they would no longer be there if I completed the work in appearance<\/em>&#8220;, Auguste Rodin 1895<br \/>\n(Quote from: <a href=\"http:\/\/www.kunstdirekt.net\/kunstzitate\/bildendekunst\/kuenstlerueberkunst\/rodin_auguste.htm\" target=\"_blank\" rel=\"noopener\">kunstdirekt.net<\/a>)<\/p>\n<figure id=\"attachment_8600\" aria-describedby=\"caption-attachment-8600\" style=\"width: 700px\" class=\"wp-caption aligncenter\"><img loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-8600\" src=\"https:\/\/kunsthalle-bielefeld.de\/wp-content\/uploads\/2024\/11\/Rodin-im-Atelier_KB-Kosmos.avif\" alt=\"The bearded Auguste Rodin stands with both hands in his trouser pockets in front of a large marble sculpture in his studio. He is wearing a light-colored mid-length coat, light-colored trousers and a dark vest. A pair of glasses is tucked into the button placket of the vest. Between the artist and the sculpture is a table with sculpting tools. Smaller sculptures and more tools can be seen in the background on the left.\" width=\"700\" height=\"350\"><figcaption id=\"caption-attachment-8600\" class=\"wp-caption-text\">Rodin in the studio.<br \/>Photo in the public domain (detail), via barnebys.de<\/figcaption><\/figure>\n                              <\/div>\n                              <\/div><\/div><\/div>                                                         <div class=\"akkordeon-item | bg-gray-200 rounded-4 mb-1\" >   <!-- head -->\n      <h3 class='akkordeon-header font-xl py-125 m-0' id='content-accordion-2-head1'>\n      <button class='akkordeon-header__link d-flex w-100 line-height-12-force  shadow-none font-l-force text-start justify-content-between hover-text-shadow-light btn btn-overlay round collapsed' role='button' data-bs-toggle='collapse' data-bs-target='#content-accordion-2-col1' aria-expanded='false' aria-controls='content-accordion-2-col1'>\n         <span class='akkordeon-header__text pe-3 pe-lg-4'>The Gates of Hell and the legend of Ugolino - the history of the motif<\/span>\n         <span class='akkordeon-header__icon round flex-shrink-0'><\/span>\n      <\/button>\n   <\/h3>\n\n   <!-- body -->\n<div id='content-accordion-2-col1' class='accordion-collapse collapse ' aria-labelledby='content-accordion-2-head1' data-bs-parent='#content-accordion-2'><div class='akkordeon-body'>                              <div class=\"akkordeon__text font-l last-child-mb-0 the-content -btns-black px-325 pt-2 pb-35\">\n                                 <p>In 1880, Auguste Rodin was commissioned by the French state to design the bronze portal for the new <a href=\"https:\/\/madparis.fr\/Musee-des-Arts-Decoratifs-1306\" target=\"_blank\" rel=\"noopener\"><em>Mus\u00e9e des Art D\u00e9coratifs<\/em><\/a> in Paris. The design for the <em>Gates of Hell<\/em> was never fully executed by Rodin himself. In his later work, however, he detached numerous motifs from the design and used them for independent sculptural works. <em>Pain,<\/em> for example, goes back to one of the earliest motifs of the <em>Gates of Hell<\/em>: the son of Ugolino. Like the other characters and groups of motifs, he is also a character from <em><a href=\"https:\/\/www.deutschlandfunkkultur.de\/dante-und-die-goettliche-komoedie-vom-inferno-zum-paradies-100.html\" target=\"_blank\" rel=\"noopener\">The Divine Comedy<\/a><\/em>. <a href=\"https:\/\/www.deutschlandfunkkultur.de\/dante-und-die-goettliche-komoedie-vom-inferno-zum-paradies-100.html\" target=\"_blank\" rel=\"noopener\">Dante Alighieri<\/a> wrote this narrative poem between 1308 and 1321.<\/p>\n<p>Ugolino della Gherardesca was a medieval nobleman and politician in the city of Pisa (Tuscany, Italy). During rivalries between the Guelph and Ghibelline political factions, Ugolino was accused of treason. Archbishop Ruggieri is said to have locked him in a tower with two sons and two grandsons in 1289 and thrown the keys into the River Arno. The prisoners were thus exposed to certain death by starvation. This legend is described by Dante in the ninth circle of the <em>Divine Comedy<\/em>.<\/p>\n<p>However, <em>The Pain<\/em> owes its expressive facial expressions to Rodin&#8217;s encounter with the actress Eleonora Duse.<\/p>\n<figure id=\"attachment_8602\" aria-describedby=\"caption-attachment-8602\" style=\"width: 310px\" class=\"wp-caption aligncenter\"><img loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-8602\" src=\"https:\/\/kunsthalle-bielefeld.de\/wp-content\/uploads\/2024\/11\/Rodin_Hoellentor_Porte_enfer_KB-Kosmos.jpg\" alt=\"The black portal has two wings and is completely decorated with groups of motifs and figures, many of which are naked. At the top, in the middle, is a group of three unclothed people leaning towards each other. To the right and left of the door leaves, there are two vertical narrow frame elements, also decorated with figures, running the full height of the door.\" width=\"310\" height=\"500\" srcset=\"https:\/\/kunsthalle-bielefeld.de\/wp-content\/uploads\/2024\/11\/Rodin_Hoellentor_Porte_enfer_KB-Kosmos.jpg 512w, https:\/\/kunsthalle-bielefeld.de\/wp-content\/uploads\/2024\/11\/Rodin_Hoellentor_Porte_enfer_KB-Kosmos-186x300.jpg 186w, https:\/\/kunsthalle-bielefeld.de\/wp-content\/uploads\/2024\/11\/Rodin_Hoellentor_Porte_enfer_KB-Kosmos-93x150.jpg 93w, https:\/\/kunsthalle-bielefeld.de\/wp-content\/uploads\/2024\/11\/Rodin_Hoellentor_Porte_enfer_KB-Kosmos-322x520.jpg 322w\" sizes=\"auto, (max-width: 310px) 100vw, 310px\" \/><figcaption id=\"caption-attachment-8602\" class=\"wp-caption-text\">The Gates of Hell, later version of the design for the portal of the Mus\u00e9e des Arts D\u00e9coratifs in Paris. The Thinker sits in the middle of the area above the lintel.<br \/>Till Niermann, Rodin Porte enfer, CC BY-SA 3.0, via Wikimedia Commons<\/figcaption><\/figure>\n                              <\/div>\n                              <\/div><\/div><\/div>                                                         <div class=\"akkordeon-item | bg-gray-200 rounded-4 mb-1\" >   <!-- head -->\n      <h3 class='akkordeon-header font-xl py-125 m-0' id='content-accordion-2-head2'>\n      <button class='akkordeon-header__link d-flex w-100 line-height-12-force  shadow-none font-l-force text-start justify-content-between hover-text-shadow-light btn btn-overlay round collapsed' role='button' data-bs-toggle='collapse' data-bs-target='#content-accordion-2-col2' aria-expanded='false' aria-controls='content-accordion-2-col2'>\n         <span class='akkordeon-header__text pe-3 pe-lg-4'>The talent of Eleonora Duse - the last surge of inspiration<\/span>\n         <span class='akkordeon-header__icon round flex-shrink-0'><\/span>\n      <\/button>\n   <\/h3>\n\n   <!-- body -->\n<div id='content-accordion-2-col2' class='accordion-collapse collapse ' aria-labelledby='content-accordion-2-head2' data-bs-parent='#content-accordion-2'><div class='akkordeon-body'>                              <div class=\"akkordeon__text font-l last-child-mb-0 the-content -btns-black px-325 pt-2 pb-35\">\n                                 <p>Even though the sculpture <em>The Pain<\/em> is not a portrait of Duse, Rodin&#8217;s expression of this human emotion was very much inspired by the presence and expressiveness of the celebrated actress.<\/p>\n<p>Eleonora Duse was born on October 3, 1858 in Vigevano, Italy, into a family of actors. She was already performing on stage at the age of four. Although she never attended drama school, she joined acting troupes from 1878. In 1881, she married the actor Tebaldo Marchetti and had a daughter. The marriage is short-lived. Eleonora Duse still had several relationships with men, e.g. from 1894 a rather unhappy one with the poet Gabriele D&#8217;Annunzio, whom she did everything in her power to promote.<\/p>\n<p>Duse&#8217;s very special acting style, which was unusual for her time, was initially met with incomprehension. She largely dispenses with the usual means of the time, such as exaggerated emphasis, theatricality, props and make-up. She achieves her effect solely through her expressive facial expressions. From 1891 onwards, she made her international breakthrough, although she only performed in her mother tongue. In January 1909, at the height of her career, she retired from the stage for health reasons. However, financial reasons forced her to resign in May 1921. Nevertheless, she can build on her old successes. During a tour of the USA, Eleonora Duse dies in a hotel in Pittsburgh as a result of pneumonia.<\/p>\n<figure id=\"attachment_8604\" aria-describedby=\"caption-attachment-8604\" style=\"width: 370px\" class=\"wp-caption aligncenter\"><img loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-8604\" src=\"https:\/\/kunsthalle-bielefeld.de\/wp-content\/uploads\/2024\/11\/Rodin_Eleonora-Duse_KB-Kosmos.jpg\" alt=\"Black and white bust portrait of a young white woman. The background is dark. She is wearing a light-colored dress with a tight-fitting top decorated with ruffles. Over this is a white crocheted cape with a pleated collar. She is leaning her head slightly to the left. Her dark hair is pinned up, her expression is serious and her eyelids look heavy.\" width=\"370\" height=\"500\" srcset=\"https:\/\/kunsthalle-bielefeld.de\/wp-content\/uploads\/2024\/11\/Rodin_Eleonora-Duse_KB-Kosmos.jpg 1024w, https:\/\/kunsthalle-bielefeld.de\/wp-content\/uploads\/2024\/11\/Rodin_Eleonora-Duse_KB-Kosmos-222x300.jpg 222w, https:\/\/kunsthalle-bielefeld.de\/wp-content\/uploads\/2024\/11\/Rodin_Eleonora-Duse_KB-Kosmos-844x1140.jpg 844w, https:\/\/kunsthalle-bielefeld.de\/wp-content\/uploads\/2024\/11\/Rodin_Eleonora-Duse_KB-Kosmos-111x150.jpg 111w, https:\/\/kunsthalle-bielefeld.de\/wp-content\/uploads\/2024\/11\/Rodin_Eleonora-Duse_KB-Kosmos-768x1037.jpg 768w, https:\/\/kunsthalle-bielefeld.de\/wp-content\/uploads\/2024\/11\/Rodin_Eleonora-Duse_KB-Kosmos-385x520.jpg 385w\" sizes=\"auto, (max-width: 370px) 100vw, 370px\" \/><figcaption id=\"caption-attachment-8604\" class=\"wp-caption-text\">Portrait of the actress Eleonora Duse<br \/>Marked as public domain, from the George Grantham Bain Collection of the Library of Congress (USA), via Wikimedia Commons.<\/figcaption><\/figure>\n                              <\/div>\n                              <\/div><\/div><\/div>                                                   <\/div>\n                     <\/div>\n                  \n                  <!-- Sonsiges Block (HTML Option) -->\n                              <!-- End Switch Layout  -->\n\n            <\/div>\n         <\/div>\n                                                                                       \n         \n         <div class=\" mb-475 mb-sm-5 mb-lg-55\">\n            <div class=\"row justify-content-center the-content \">\n\n               <!-- Headings -->\n                                                                                          \n                     <div class=\"content-accordion | col-12 py-3\">\n                        <div id=\"content-accordion-3\">\n                                                         <div class=\"akkordeon-item | bg-gray-200 rounded-4 mb-1\" >   <!-- head -->\n      <h3 class='akkordeon-header font-xl py-125 m-0' id='content-accordion-3-head0'>\n      <button class='akkordeon-header__link d-flex w-100 line-height-12-force  shadow-none font-l-force text-start justify-content-between hover-text-shadow-light btn btn-overlay round collapsed' role='button' data-bs-toggle='collapse' data-bs-target='#content-accordion-3-col0' aria-expanded='false' aria-controls='content-accordion-3-col0'>\n         <span class='akkordeon-header__text pe-3 pe-lg-4'>Data about the artwork<\/span>\n         <span class='akkordeon-header__icon round flex-shrink-0'><\/span>\n      <\/button>\n   <\/h3>\n\n   <!-- body -->\n<div id='content-accordion-3-col0' class='accordion-collapse collapse ' aria-labelledby='content-accordion-3-head0' data-bs-parent='#content-accordion-3'><div class='akkordeon-body'>                              <div class=\"akkordeon__text font-l last-child-mb-0 the-content -btns-black px-325 pt-2 pb-35\">\n                                 <p><strong>Artist:<br \/>\n<\/strong>Auguste Rodin (12.11.1840 born in Paris, 17.11.1917 died in Meudon)<\/p>\n<p><strong>Title:<br \/>\n<\/strong>La douleur &#8211; souvenir \u00e0 Eleonora Duse (The pain &#8211; memory of Eleonora Duse)<\/p>\n<p><strong>Year:<br \/>\n<\/strong>around 1904<\/p>\n<p><strong>Material\/technique:<br \/>\n<\/strong>Marble, embossed and chiseled<\/p>\n<p><strong>Dimensions:<br \/>\n<\/strong>51 x 67 x 55 cm<\/p>\n<p><strong>Inscription:<br \/>\n<\/strong>Signed on the left of the marble block: A. RODIN<\/p>\n<p><strong>Entry into the collection:<br \/>\n<\/strong>1950, Foundation of the Dr. August Oetker company<\/p>\n                              <\/div>\n                              <\/div><\/div><\/div>                                                   <\/div>\n                     <\/div>\n                  \n                  <!-- Sonsiges Block (HTML Option) -->\n                              <!-- End Switch Layout  -->\n\n            <\/div>\n         <\/div>\n                                                                                       \n         \n         <div class=\" mb-475 mb-sm-5 mb-lg-55\">\n            <div class=\"row justify-content-center the-content  font-m g-sm-4 g-md-5 sans-serif\">\n\n               <!-- Headings -->\n                                 <div class=\"col-12 col-sm-6 col-md-6\">\n                     <p>Author: Tania M\u00fcller<\/p>\n                  <\/div>\n\n                              <!-- End Switch Layout  -->\n\n            <\/div>\n         <\/div>\n                  <\/div>\n","gallerie":null,"subtitle":"La douleur - souvenir \u00e0 Eleonora Duse"},"id_default":8339,"_links":{"self":[{"href":"https:\/\/kunsthalle-bielefeld.de\/en\/wp-json\/wp\/v2\/digitorial\/8832","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/kunsthalle-bielefeld.de\/en\/wp-json\/wp\/v2\/digitorial"}],"about":[{"href":"https:\/\/kunsthalle-bielefeld.de\/en\/wp-json\/wp\/v2\/types\/digitorial"}],"version-history":[{"count":0,"href":"https:\/\/kunsthalle-bielefeld.de\/en\/wp-json\/wp\/v2\/digitorial\/8832\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/kunsthalle-bielefeld.de\/en\/wp-json\/wp\/v2\/media\/8599"}],"wp:attachment":[{"href":"https:\/\/kunsthalle-bielefeld.de\/en\/wp-json\/wp\/v2\/media?parent=8832"}],"wp:term":[{"taxonomy":"digitorialkategorien","embeddable":true,"href":"https:\/\/kunsthalle-bielefeld.de\/en\/wp-json\/wp\/v2\/digitorialkategorien?post=8832"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}