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Exhibitions

Upcoming

Would you like to look at pictures, talk about them and be creative yourself? Are you between 5 and 12 years old?
Then you are welcome every Saturday in our painting room! During these two hours, we will get to know the Kunsthalle and its exhibitions and be inspired to create our own works.

Come at short notice at the beginning of the event and see if there are still places available. With this offer we work without registration.
Offer for children unaccompanied by adults.

The Sip & Sketch format moves into the Kunsthalle Bielefeld!
You are between 18 and 35 years old and would like to get a little insight into the exhibition and then get creative yourself in the painting room with nice drinks and music?
Then always keep the second Friday of the month free! Sip & Sketch is the perfect opportunity to meet new people and leave the stress of the week behind to start the weekend relaxed!

It is necessary to buy a ticket in advance or to register at:
anmeldung@kunsthalle-bielefeld.de
T 0521 329995018

Highlights

About hope, visibility and possibilities: Nicole Miller takes us on the journey “To the Stars” (2019) in an artist talk.

In her video work, which is part of the exhibition“Alles Licht“, she interweaves lasers, music and documentary images to reflect on light – as a physical force, social resource and orientation in difficult times.

The conversation will be held in English and online via Zoom.
Click on the ticket button to register for the Zoom meeting. The access data will then be sent to you automatically.

Nine works of art to touch! – Virtual reality meets art museum Come along and experience together how small paintings fill entire rooms, how a landscape breaks the frame and how sounds change the effect of pictures. Try out with us how VR creates a new way to experience art.
VR headset use for ages 10 and up.

We designed the current version of our virtual art gallery together with pupils from a year 10 class at the Hans Ehrenberg School.
More information on the entire Virtual Kunsthalle project

Light is a symbol of the divine, of hope, knowledge or transcendence. Art has also taken up this motif time and again – from the luminous gold background of medieval icons to the immaterial spatial experiences of the art of the Light and Space Movement. Spirituality is therefore a central theme.
Together with Pastor Lars Hofnagel and the curators Laura Rehme and Benedikt Fahrnschon, we will walk through the exhibition “Alles Licht” and discover how spiritual dimensions unfold in the works.

With “Sociology is a Martial Sport” (2009) by director Pierre Carles, the Kunsthalle Bielefeld invites you on a fascinating journey into the thinking of Pierre Bourdieu as part of the exhibition “Pierre Bourdieu’s Sociological View” (15.11.2025 – 1.3.2026). Pierre Bourdieu (1930-2002) is considered one of the most important sociologists of the 20th century. The film shows him as a passionate intellectual who tirelessly questions social power structures and campaigns for a fairer world.
With analytical acuity, humor and personal warmth, Bourdieu guides us through central questions of our time: social inequality, the impact of education, the power of networks and the subtle mechanisms of symbolic violence. At the same time, the film is a lively portrait of a thinker who does not remain in an ivory tower, but actively participates in social discourse.
Sociology is a martial art is an inspiring plea for critical thinking – a must-read for anyone who wants to better understand our society.

The movie is in French with German subtitles.

 

Electronic sounds in the middle of the exhibition with “Nummer zu Platz”.

With the Sound Collection, Kunsthalle Bielefeld and Volksbank Bielefeld-Gütersloh invite you to an evening at the museum unlike any other. Listen to the electronic sounds of the Utopia 615 crew from Nr. z. P., stroll through the exhibitions and spend a relaxed time surrounded by art.

The museum closes at 21:00, but the event will continue until 24:00 in Café Gemach Manhatten.

In cooperation with: Volksbank Bielefeld-Gütersloh eG, Volksbank Lobby, No. z. P.

Welcome to Bielefeld!
Welcome to the Kunsthalle!
The Open House sees itself as a safe space for all people who have had to experience flight. You can take part in free creative workshops in the painting room once a month.

What is the nature of light? What are the differences between the various colors, and is it possible to “hear” light?

In this generally understandable lecture, almost without physical formulas, cosmologist Matthias Schmidt-Rubart (University of Bielefeld) introduces his audience to the fascinating world of light physics. He explains what physics understands by light, why astronomers often work with the wrong colors and what special applications a blue laser can have.

In the exhibition tour with art historian Ruth Kißling and curators Laura Rehme and Benedikt Fahrnschon, we take a look at the female protagonists of the Light and Space Movement. In addition to the artists themselves, the focus is on the curators, journalists, activists and publicists who shaped the development of the movement and helped it achieve international reach and recognition. The tour offers insights into their networks, influences and artistic strategies

It is necessary to buy a ticket for the event in advance or to register at:
anmeldung@kunsthalle-bielefeld.de
T 0521 329995018

Welcome to Bielefeld!
Welcome to the Kunsthalle!
The Open House sees itself as a safe space for all people who have had to experience flight. You can take part in free creative workshops in the painting room once a month.

Nine works of art to touch! – Virtual reality meets art museum Come along and experience together how small paintings fill entire rooms, how a landscape breaks the frame and how sounds change the effect of pictures. Try out with us how VR creates a new way to experience art.
VR headset use for ages 10 and up.

We designed the current version of our virtual art gallery together with pupils from a year 10 class at the Hans Ehrenberg School.
More information on the entire Virtual Kunsthalle project

Offers

KB Journal

Artist interview with Lars Rosenbohm

A slim man, about 50 years old, wearing a brown T-shirt and blue jeans, leaning against the frame of a room door. He is wearing horn-rimmed glasses with thin brown frames. In the background are stretcher frames and paintings wrapped in bubble wrap.

The Bielefeld artist Lars Rosenbohm explores the human condition in his haunting, sometimes disturbing depictions and reflects experiences of our time. Questions for the artist about his work from curator Felicitas von Richthofen.

A slim man, about 50 years old, wearing a brown T-shirt and blue jeans, leaning against the frame of a room door. He is wearing horn-rimmed glasses with thin brown frames. In the background are stretcher frames and paintings wrapped in bubble wrap.

Thomas Handke: What does the Kunsthalle Bielefeld sound like?
Cooperation with the HSBI 2022/23

Yana Wernicke: From quarry to art gallery – the red Main sandstone
Cooperation with the HSBI 2022/23

Rising red sandstone in the quarry with traces of cut stones.
Rising red sandstone in the quarry with traces of cut stones.

Vincent Hölscher: Engine room
Cooperation with the HSBI 2022/23

Galvanised pipework, partly at right angles.
Galvanised pipework, partly at right angles.

Jonas Feige: The atmosphere of the Kunsthalle Bielefeld
Cooperation with the HSBI 2022/23

A curved reflection of the Kunsthalle Bielefeld building. Columns and the protruding first floor can be recognised.
A curved reflection of the Kunsthalle Bielefeld building. Columns and the protruding first floor can be recognised.

These are our architects
Caruso St John Architects have been appointed

Five people stand in a row in front of the Kunsthalle Bielefeld. They look cheerful.

Caruso St John have been appointed architects for the renovation of the Kunsthalle Bielefeld

Five people stand in a row in front of the Kunsthalle Bielefeld. They look cheerful.

The path to a climate-friendly museum
A contribution by Prof. Peter Gorschlüter

Presentation slide for the Museum Folkwang

A blog post by Prof. Peter Gorschlüter on his lecture ‘The path to a climate-friendly museum’.

Presentation slide for the Museum Folkwang

Look up – the road to a green museum
A contribution by Prof. Dr. Stefan Simon

A labyrinth of various pipes, cylinders and measurement displays. In the bottom right corner it states: Air conditioning Humboldt Forum, Berlin.

A blog post by Prof. Dr. Stefan Simon on his lecture ‘Look up – the path to the green museum’.

A labyrinth of various pipes, cylinders and measurement displays. In the bottom right corner it states: Air conditioning Humboldt Forum, Berlin.

Peace with Gaia – perspectives, possibilities and limits of cultural institutions in the sustainability transformation process
A contribution from Ministerial Councillor Ralph Zinnikus

Black and white photo of an old globe in a wooden frame with four legs and a ring around the equator.

A blog post by Ministerialrat Ralph Zinnikus on his lecture ‘Peace with Gaia – perspectives, possibilities and limits of cultural institutions in the sustainability transformation process’.

Black and white photo of an old globe in a wooden frame with four legs and a ring around the equator.

Curating as Care Work: Of the Museum Climate in Planetary Interdependencies and Cultural Imaginaries.
A contribution by Prof. Dr. Elke Krasny

Dark beige background with black lettering: Curating as care work imagines and practices grief work and care for the future and insists on the hope that a culture of the living, in which human and non-human living beings can breathe again with their planet Earth, is possible.

A blog post by Prof. Dr. Elke Krasny on her lecture ‘Curating as care work: On the museum climate in planetary interdependencies and cultural imaginaries’.

Dark beige background with black lettering: Curating as care work imagines and practices grief work and care for the future and insists on the hope that a culture of the living, in which human and non-human living beings can breathe again with their planet Earth, is possible.

The city, the box, the art and the climate. Attempt at a relational reassembly
A contribution by Prof. Dipl. Ing. Bernd Kniess

On a white background is written several times in black handwriting, in various sizes: Museum, below a square through which is written ,Power

A blog post by Prof. Dipl. Ing. Bernd Kniess on his lecture ‘The city, the box, art and the climate. Attempt at a relational reassembly’.

On a white background is written several times in black handwriting, in various sizes: Museum, below a square through which is written ,Power

Exhibiting and preserving as toxic paradigms. Can cultural institutions negotiate the environmental crisis?
A contribution by Prof. Dr. Peter J. Schneemann

A large fire at dusk. It eats its way through a construction of wooden slats that form a building.

A blog post by Prof. Dr. Peter J. Schneemann on his lecture ‘Exhibiting and preserving as toxic paradigms. Can cultural institutions negotiate the environmental crisis?

A large fire at dusk. It eats its way through a construction of wooden slats that form a building.

Rewilding the white cube: the role of art museums in tackling the climate emergency
A contribution from Frances Morris

A very high, shaft-like room. The entire floor is covered by a white, paintable surface on which countless drawings can be seen. People can be seen adding drawings all over the room. Large sheets of white fabric covered with splashes of paint hang from the ceiling.

A blog post by Frances Morris on her talk ‘Rewilding the white cube: the role of art museums in addressing climate emergency’.

A very high, shaft-like room. The entire floor is covered by a white, paintable surface on which countless drawings can be seen. People can be seen adding drawings all over the room. Large sheets of white fabric covered with splashes of paint hang from the ceiling.

The spatial culture of the museum
A contribution by Prof. Dr. Kali Tzorzti

On the left side six pictures of white painted exhibition rooms. Art from the Middle Ages hangs on the walls. To the right is a floor plan drawing with many black lines running through the rooms at different densities, on different paths. A red line marks a circular path through the rooms.

A blog post by Prof. Dr. Kali Tzorzti on her keynote lecture ‘The spatial culture of museums’.

On the left side six pictures of white painted exhibition rooms. Art from the Middle Ages hangs on the walls. To the right is a floor plan drawing with many black lines running through the rooms at different densities, on different paths. A red line marks a circular path through the rooms.

Vulnerable Processes. Vulnerable Processes. A Curatorial Reflection on the Museum in Transition.
A contribution by Prof. Dr. Doreen Mende

On the left, an oblong, rectangular flyer in magenta, on the right one in yellow. In large black letters on the top of both is written: Stannaki Forum Art and Research in Conversation. Below that on the left it says: 05.04.23 Motif, FROMPO. On the right it says: 07.06.23 Mining, AQU.

A blog post by Prof. Dr. Doreen Mende on his keynote lecture ,Vulnerable Processes. A Curatorial Reflection on the Museum in Transition.’

On the left, an oblong, rectangular flyer in magenta, on the right one in yellow. In large black letters on the top of both is written: Stannaki Forum Art and Research in Conversation. Below that on the left it says: 05.04.23 Motif, FROMPO. On the right it says: 07.06.23 Mining, AQU.

Abhängen statt aufhängen? – Museum Spaces and the New Ethics of Communitization
A contribution by Prof. Dr. Karen van den Berg

In a yellow-painted hall-like space stands a large seating area. The stair-like construction is made of poles from scaffolding and wooden boards.

A blog post by Prof. Dr. Karen van den Berg on his impulse lecture ,Hang up instead of hanging up? – Museum Spaces and the New Ethics of Communion’.

In a yellow-painted hall-like space stands a large seating area. The stair-like construction is made of poles from scaffolding and wooden boards.