Acting Sustainably

From our mission statement:

In a world facing a global climate crisis, we continually reassess our own actions and develop measures to reduce our resource consumption and increase our positive impact. By incorporating this topic into our programs and the museum’s day-to-day operations, we contribute to the public discourse on the environment, sustainability, and climate.

Our commitment to environmental, social, and economic sustainability reflects our holistic approach. As a memory institution, preserving art for the future is part of our identity, so that we may continue to be a museum for everyone in the years to come.

To the full mission statement

• Establishment of the Sustainability Working Group
• Cloud: Simplifies work organization; providers in Germany that use green electricity (check)
• On the path to a paperless office
▪ Mobility (MA)
• Ban on air travel for domestic business trips within Germany
• Public transportation for employees
▪ Materials and Energy ST
• Gradual transition to LED lighting and energy-efficient appliances
• Sustainable distribution strategy for print products and digital delivery of informational media
• Cross-departmental reuse of all exhibition materials
• Use of the nationwide materials exchange (link)
▪ Interlibrary Loans and Art Transport ST
• Incorporating sustainable practices into requests for proposals
• For loaned items: Avoid time-consuming individual shipments by using combined and consolidated shipments
• Reviewing every courier trip and using digital courier management
• Expanded climate corridor for museum climate control, as recommended by the German Museum Association and the Bizot Green Protocol (if possible)

◦ Renovation (LBN)
▪ A more general piece of text that rounds out the page (from the Building Brief)
▪ Symposium?
Renovation

In the context of the Kunsthalle’s comprehensive renovation aimed at ensuring its future viability, sustainability means more than just efficient technology, energy retrofitting of the existing building, or optimized workflows. It is not just about the
It is not just about the preservation and maintenance of the historic building and the collection, but about the effort to restore the building for future generations
to make it more functional and accessible.

The building will be adapted to meet the needs of a sustainable art museum in the 21st century through expanded exhibition spaces. In the future, the collection will be made more accessible as a cultural resource, contemporary art forms will be presented appropriately, and a diverse educational and event program will be expanded.

Only if the museum can adapt its practices to reflect social and artistic changes will it remain relevant, and only then can the cultural values it preserves have a lasting impact.

In the third part of a three-part symposium held in 2023 on October 27 and 28, we joined forces with national and international experts to explore the question of how a museum can become sustainable with a focus on sustainability and climate protection, under the title “Climate Box vs. Climate Crisis.” You can find more information about this and the participants on our blog. (Insert link)

 

Notes from Nadine, Sept. 25:
Art Education Texts: As if a) the texts were always written by us (B and V) and b) we hadn’t been able to do so until now….
Background Gallery: Exhibition Title
Top: Overwrite with “From Our Mission Statement”; bottom: paragraph, followed by a link without parentheses
Inclusion and Participation. Major revisions (content design) made to improve clarity
Renovation: Link

Social Sustainability

Logo with the text A light green logo featuring a capital

Participatory Approach Through the Roundtable
The Kunsthalle Bielefeld Roundtable is an innovative participatory initiative that regularly brings together people from diverse social groups and communities with representatives of the Kunsthalle. The goal is to strengthen social participation in the museum, introduce new perspectives into the museum’s work, and expand networking within the city’s community.

 

Inclusivity Through Partnerships and Programs for Everyone
Through our work, we want to reach more and a wider variety of people. Becoming more inclusive is part of that goal.

  • The Theaterwerkstatt Bethel e. V., where people with and without disabilities develop and perform plays, is one of our regular project partners.
  • “Building Bridges—Creative and Sustainable.” This is a joint project of the Einschlingen Educational Center, IBZ Friedenshaus e.V., and the Kunsthalle Bielefeld. The goal of the project is to bring people from diverse backgrounds together through shared interests. The project aims to help people connect with one another beyond their usual social circles.
  • Our referral program includes services for people with visual impairments as well as for people with dementia.
  • Art education materials are increasingly being developed collaboratively through a co-creative process with people who are not experts in the field.

Environmental Sustainability

• Establishment of the cross-departmental Sustainability Working Group in 2024
• Use of a self-hosted, independent cloud solution
• Working from home
• On the Way to a Paperless Office

• Avoid domestic flights within Germany; use the train whenever possible
• Introduction of a public transportation pass subsidized by the employer

• Incorporating sustainable practices into requests for proposals
• For loaned items: Avoid time-consuming individual shipments by using combined and consolidated shipments
• Reviewing every courier trip and using digital courier management
• Expanded climate corridor for museum climate control, as recommended by the German Museum Association and the Bizot Green Protocol (if possible)

• Gradual transition to LED lighting and energy-efficient appliances
• Reduction in exhibition-related print materials
• Sustainable distribution strategy for print products and digital delivery of informational media
• Cross-departmental reuse of all exhibition materials
• Use of the nationwide materials exchange

Renovation

In the context of the Kunsthalle’s comprehensive renovation aimed at ensuring its long-term viability, sustainability means more than just efficient technology, energy retrofitting of the existing building, or optimized workflows. It is not just about preserving and maintaining the historic building and the collection, but also about striving to make the building functional and more accessible again for future generations.

In the third part of a three-part symposium held in 2023 on October 27 and 28, we joined forces with national and international experts under the title “Climate Box vs. Climate Crisis” to explore how a museum can become sustainable with a focus on sustainability and climate protection. You can find more information about this and the participants via the links on our symposium page.

Gallerie

A large exhibition space with a completely glazed outer wall. View of flags and trees. In the foreground, a long snake made of fabric with red and black patterns. A long strip of fabric with a symmetrical pattern hangs from the ceiling.
Dem Wasser folgen. Installationsansicht der Ausstellung vom 04.06.-16.10.2022. Foto: Philipp Ottendörfer
A very dark exhibition room in the Kunsthalle. A kind of skeleton of a rowing boat hangs from the ceiling. Glowing white cords hang down from it, slightly rolled on the floor, their ends glowing like dots. At the back of the wall is a film projection with light reflections, presumably these cords in the water.
Dem Wasser folgen. Installationsansicht der Ausstellung vom 04.06.-16.10.2022. Foto: Philipp Ottendörfer
Model of the Kunsthalle Bielefeld made of concrete. It stands in an aluminum bowl with water and moss is attached to the roof. It was supplemented with transparent roof structures, which are not part of the real architecture.
Oscar Tuazon, Garden for Maria Mies, 2023. Courtesy the artist
View from the outside into a window of the Kunsthalle, behind which an igloo-like house can be seen. The sky is reflected in the large window front, which colors some parts of the photo blue, some yellow.
Oscar Tuazon. Was wir brauchen. Ausstellungsansicht Kunsthalle Bielefeld 2023. Foto: Phlipp Ottendörfer
Vor einem dunklen Hintergrund zahlreiche Abbildungen einer Skulptur von unterschiedlichen Seiten. Davor die Skulptur in Goldton mit darauf gezeichneter Comicmaus mit langer Zunge.
Ausstellungsplakatmotiv Träume einer Eule, Who the Baer und der verwundete Planet. 30.11.24 bis 23.2.25
A bust depicting the head of the 18th century writer Olympe des Gouges. On her head is a plant pot with a plant consisting of many small leaves.
Goshka Macuga, Olympe des Gouges, 2016, Rubber and resin, Edition 2 of 5 + 3 AP, Installation view exhibition “Dreams of an Owl”, 2024, Kunsthalle Bielefeld, © VG Bild-Kunst, Bonn 2024, Photo: Philipp Ottendörfer