Dreams of an Owl, Who the Bær and the Wounded Planet

Stories from the collection of the Kunsthalle Bielefeld and an intervention by Simon Fujiwara

eulentraum key visual
Hans (Jean) Arp, Songe de hibou (Eulentraum), 1937/38, Bronze, Ex. 2/3, Kunsthalle Bielefeld, Dauerleihgabe der Staff Stiftung, Lemgo, © VG Bild-Kunst, Bonn 2024, Foto: Ingo Bustorf Simon Fujiwara, Who’s Arp’s Owl?, 2024, Digitale Zeichnung auf Archivfoto, Courtesy of the artist Gestaltung: strobo B M

From November 30, 2024 to February 23, 2025, the Kunsthalle Bielefeld is presenting the exhibition “Dreams of an Owl, Who the Bær and the Wounded Planet”, which reorganizes the Kunsthalle’s collection and is supplemented by an intervention by the British-Japanese artist Simon Fujiwara.

When do owls dream? What do animals, which in cultural history often stand for foresight and wisdom, dream of? Perhaps the artist Hans (Jean) Arp was hoping for more insight when he renamed his 1937/38 sculpture “Owl” “Owl Dream” in 1957? With his view that artistic and natural processes are of equal value and that man and his actions are always in relation to nature and by no means superior to it, Hans Arp anticipated central aspects of our thinking today.

For the first time in human history, our actions are becoming visible in the planetary system. In view of the climate crisis, a change of perspective is necessary in all areas of life, from the natural sciences, art and culture to politics and everyday life. What role can a museum play in this? Our collections are our visual memory: which images and which new constellations help us to change our thinking and our ideas, our relationship to the world?

Based on Arp’s “Owl Dream” as a key work, the exhibition raises the question of which images inspire or encourage us to change our perspective. A total of 200 works by over 150 international artists will be on display, all of which revolve around the relationship between man and nature. In addition to some classics from the collection, including works by Max Beckmann, Gerhard Richter, Auguste Rodin, Agnes Martin and others, it is also about discovering artists with a regional connection such as Simone Nieweg, Theo Ortmann and Benita Koch-Otte. Donations and acquisitions from recent years will also be on display (including works by Olaf Nicolai, Rita McBride and Katinka Bock). Individual loans (Hans (Jean) Arp, Julia Scher, Charline von Heyl) complement the exhibition. A special exhibition architecture was developed to create a dense and rich visual narrative in the rooms.

Which works or themes from the Kunsthalle Bielefeld collection do we see with different eyes against the backdrop of the climate crisis, planetary thinking – or in short: in the age of man, the “Anthropocene”? And what consequences do we draw from this for our museum work? These questions will not only be examined on an institutional level and with a new perspective on the museum’s own collection, but will also be supplemented by a contemporary artistic voice that gives form to central questions of our reality of life with an intervention by the British-Japanese artist Simon Fujiwara (*1982 in London, lives in Berlin).

Inspired by these questions, the Kunsthalle Bielefeld’s collection is being reorganized in the exhibition rooms and expanded in the digital KB Kosmos. Connected to the themes of the exhibition, but detached from the space, further relationships between the works and questions about the effects of human activity on our planet can be explored here.

Exciting information can be discovered on a flight through the works.

Full screen version

Artists:

Marina Abramović, Saâdane Afif, Anni Albers, Diane Arbus, Armando, Hans (Jean) Arp, Yto Barrada, Georg Baselitz, Max Beckmann, Rudolf Belling, Julius Bissier, Katinka Bock, Peter August Böckstiegel, Monica Bonvicini, Shannon Bool, Katharina Bosse, Louise Bourgeois, Vera Brüggemann, Peter Brüning, Daniel Buren, Teresa Burga, Michael Buthe, Reg Butler, Heinrich Campendonk, Marc Chagall, Sandro Chia, Salvador Dalí, Willem de Kooning, Robert Delaunay, Sonia Delaunay-Terk, Christa Dichgans, Friedrich Diehl, Otto Dix, Jason Dodge, Marlene Dumas, Herbert Ebersbach, Nicole Eisenman, Max Ernst, Conrad Felixmüller, Peter Fischli and David Weiss, Anne Flore, Lucio Fontana, Wolfgang Fräger, Günter Frecksmeier, Simon Fujiwara, Dani Gal, Peter Gallaus, Henri Gaudier-Brzeska, Otto Gleichmann, Erwin Graumann, Herbert Wilhelm Häfner, Richard Haizmann, Lena Henke, Eduard Herterich, Charline von Heyl, Sheila Hicks, Ludwig Hirschfeld-Mack, David Hockney, Ferdinand Hodler, Gerhard Hoehme, Karl Hofer, Sofia Hultén, Allen Jones, Wassily Kandinsky, Annette Kelm, Anselm Kiefer, Esther Kläs, Jürgen Klauke, Max Klinger, Guitou Knoop, Benita Koch-Otte, Käthe Kollwitz, Wilhelm Laage, Josua Leander Gampp, Fernand Léger, Wilhelm Leibl, August Macke, Goshka Macuga, Franz Marc, Gerhard Marcks, Louis Marcoussis, Agnes Martin, André Masson, Brigitte and Martin Matschinsky-Denninghoff, Rita McBride, Hans Meyboden, Karl Heinz Meyer, Christiane Möbus, Otto Modersohn, Paula Modersohn-Becker, László Moholy-Nagy, Henry Moore, Matthias Müller, Gabriele Münter, Louise Nevelson, Olaf Nicolai, Simone Nieweg, Emil Nolde, Adolf Oberländer, Anna Oppermann, Theo Ortmann, A. R. Penck, Pablo Picasso, Werner Pöschel, Charlotte Posenenske, Veronika Radulovic, Arnulf Rainer, Man Ray, Germaine Richier, Gerhard Richter, Christian Rohlfs, Ulrike Rosenbach, Lars Rosenbohm, Georges Rouault, Ulrich Rückriem, Salvo, Karin Sander, Jörg Sasse, Lo Savio, Julia Scher, Oskar Schlemmer, Karl Schmidt-Rottluff, Georg Schrimpf, Katharina Sieverding, Tony Smith, Robert Smithson, Giuseppe Spagnulo, Hermann Stenner, Irma Stern, Hiroshi Sugimoto, Sophie Taeuber-Arp, Rago Torre-Ebeling, Hans Uhlmann, Not Vital, Heinrich Vogeler, James Welling, Erwin Wendt, Stephen Wilks, Fritz Winter

In cooperation with Heinrich Heine University Düsseldorf (Prof. Dr. Timo Skrandies)

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The exhibition is sponsored by:

Black and white logo, the name of the institution flush left and the coat of arms of the state of North Rhine-Westphalia flush right.
Black and white logo, left-aligned first the logo of the Sparkasse, a thick S with a dot above it. To the right of that, written in sans serif: Stiftung der Sparkasse Bielfeld.

Gallerie

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Exhibition view: Simon Fujiwara, Once Upon a Who?, Esther Schipper, Berlin, 2022 Courtesy the artist and Esther Schipper, Berlin Photo © Andrea Rossetti
Aus der Sammlung der Kunsthalle Bielefeld:
Marlene Dumas, Helena’s Dream, 2008
Aus der Sammlung der Kunsthalle Bielefeld: Marlene Dumas, Helena's Dream, 2008
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Theo Ortmann, Lovers with gas masks, n.d., chalk, pastel on black paper, 25 x 19 cm, Kunsthalle Bielefeld, Photo: Philipp Ottendörfer
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Simon Fujiwara Who are the Two Liberated Femmes Running the Beach?, 2023 Acrylic, charcoal and pastel on canvas 180,3 x 250,5 cm (unframed) 205,5 x 275,5 x 6,1 cm (framed) Courtesy the artist and Esther Schipper, Berlin/Paris/Seoul Photo © Jörg von Bruchhausen
Oblong picture on edge. Three large circles are stacked from top to bottom, each consisting of two differently colored halves. An animal
Simon Fujiwara, Who’s Whoseum of Bielefeld?, 2024 Inkjet print, charcoal and pastel on paper Courtesy of the artist and Esther Schipper, Berlin/Paris/Seoul
A small golden sculpture that forms a rounded and elongated organic shape. It is reminiscent of a potato.
Hans (Jean) Arp, Songe de hibou (Owl Dream), 1937/38, bronze, Ex. 2/3, Kunsthalle Bielefeld, on permanent loan from the Staff Foundation, Lemgo, © VG Bild-Kunst, Bonn 2024/25, Photo: Ingo Bustorf
A small golden sculpture that forms a rounded and elongated organic shape. It is reminiscent of a potato. Thick black lines extend the sculpture into the face of a creature reminiscent of a bear or a mouse, sticking out its long tongue.
Who's Arp's Owl?, 2024, Digital drawing on archive photo, Courtesy of the artist, Photo of the sculpture: Ingo Bustorf
Fujiwara Greta
Simon Fujiwara Who‘s Fridays for Future?, 2024 Ink on paper collage 149,8 x 104,9 cm (unframed) 159,6 x 114,7 x 4,2 cm (framed and glazed) Courtesy the artist and Esther Schipper, Berlin/Paris/Seoul Photo © CHROMA
Georg Baselitz
Arbeit auf Papier
Sammlung Kunsthalle Bielefeld
Georg Baselitz Arbeit auf Papier Sammlung Kunsthalle Bielefeld
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Simon Fujiwara, Who is the Thinker?, 2021 Kreide, Pastell und Tintenstrahldruck auf Papier, 66,5 x 53,8 x 3,5 cm, Courtesy of the artist
Rodin Douleur
Aus der Sammlung der Kunsthalle Bielefeld: August Rodin, La Douleur, Souvenir a Eleonora Duse (Der Schmerz), vor 1904
Beckmann Mutter mit spielendem Kind 1946
Max Beckmann Mutter mit spielendem Kind, 1946 Öl auf Leinwand, 80,5 x 150 cm Sammlung Kunsthalle Bielefeld
Ancient-looking laboratory apparatus. A frame with a tube hanging from the top and bottom. The base is made of wood, the rest shines golden. Large tropical green leaves hang around the device at all edges of the picture.
Annette Kelm, Helmholtz Sirene, 2017, Archival pigment print, framed, Courtesy the artist and Esther Schipper, Berlin/Paris/Seoul, Photo © Annette Kelm
Photo of the Kunsthalle Bielefeld from the main entrance. A drawn figure stands in front of it. It has a human body, but a head reminiscent of a mouse or a bear. Something yellow is drawn flowing on the ground in front of it. Looking down from the roof of the Kunsthalle is a huge head of the same creature. Its long tongue swings in front of the building and the yellow liquid drips from it and all over the roof.
Simon Fujiwara, Who’s Whoseum of Bielefeld?, 2024 Inkjet print, charcoal and pastel on paper Courtesy of the artist and Esther Schipper, Berlin/Paris/Seoul