Keren Cytter. Hot Lava Night

A drawing showing two cats, the tail of another cat and some star shapes. Cats and stars look as if they were floating around each other in the air. The colors are contrasting with blue, yellow, red, orange and purple to pink.
Keren Cytter, Cat Dream, 2023, Copyright: Keren Cytter

Keren Cytter (*1977 in Tel Aviv) tells stories – absurd, funny and mostly abysmal. Through experimental forms of narrative and perception, Cytter’s work explores social alienation, meaning and representation of language, and the function of the individual in cultural systems. She is primarily a filmmaker, but her work also includes performances, plays, sculptures, drawings, novels, children’s books, and interdisciplinary festivals. With the often cyclical logic of her works, Cytter deconstructs classical narrative patterns as well as conventional language conventions and interpretive sovereignties. Her montages of memories, dream images, and conceits, reminiscent of amateur videos, create multilayered, poetic compositions of a mostly irritatingly grotesque quality.

The exhibition presents over twenty drawings and two new video works by the artist, which are being shown for the first time at the Kunsthalle Bielefeld. These include the eponymous short film “Hot Lava Night”.
Radio reports depict the extent of a fictitious catastrophic flood that leads to a global crisis of unimagined proportions. While showing people’s capacity for compassion and unity, the film depicts the blossoming of a young romance that begins in New York and ends at a coastal refuge. A place where there are no signs of devastation and the boundaries between fiction and reality are blurred.

In her approximately 90-minute film “White Elephant”, Cytter follows the relationships between a woman and a drone, a sex addict, a confused actor and a neighbor mourning her dead father. The protagonists are connected to each other through various contexts and constellations. Cytter stages a complex web of interpersonal relationships between loss, love, grief, values, dependencies and longings.

The artist’s drawings also revolve around social alienation, the function and representation of language and the significance of the individual in society. In addition to her own works on paper, the Kunsthalle Bielefeld is showing Cytter’s artistically designed script excerpts and storyboards for her films as well as drawings that appear in “White Elephant”.

The film “White Elephant” will be shown every Wednesday at 7 pm during the exhibition period (except on January 24 and February 28, 2024) and on Saturdays and Sundays at 4 pm (except on January 13 and February 17, 2024).

About Keren Cytter

Keren Cytter studied Fine Arts at the Avni Institute of Art and Design, Tel Aviv, and was a fellow at De Ateliers, Amsterdam, from 2002-2004. Her work has been shown in solo exhibitions in internationally renowned institutions.

Gallerie

6 landscape-format, very colorful drawings in two rows of three on the wall. Looks a bit like a comic. Lots of writing.
Keren Cytter. Hot Lava Night. Installation view. Photo: Philipp Ottendörfer
A drawing: the head of a mythical creature, perhaps in the Mayan style. In green and yellow, surrounded by the words My Name is Keren Cytter.
Keren Cytter. Hot Lava Night. Installation view. Photo: Philipp Ottendörfer
Two colored drawings next to each other. On the left, on a yellowish background in the lower area, the lettering "Kenneth Anger. Lucifer Rising". On the right, on a mantelpiece, rather untidily arranged objects: a kind of bust in white, a pair of glasses, pens in an upright cylindrical box, flat boxes with more glasses, a cross. Behind it on the wall is a poster, perhaps for a movie.
Keren Cytter. Hot Lava Night. Installation view. Photo: Philipp Ottendörfer
In an exhibition room of the Kunsthalle: in the foreground a table display case with a cover. Underneath are 9 drawings, some colored in blue or green. Behind it, on the wall, three larger drawings: on the left, a cheerfully colorful work composed of many small drawings. To the right are two smaller works: one with the Kenneth Anger lettering and the other with the mantelpiece and the many things on it.
Keren Cytter. Hot Lava Night. Installation view. Photo: Philipp Ottendörfer
A movie theater, looking down towards the screen. In the foreground, dimly lit rows of seats. The film projection shows three people with long hair. Two dressed in black, one in white, under an awning. They are looking in our direction.
Keren Cytter. Hot Lava Night. Installation view. Photo: Philipp Ottendörfer
Two people with female body features. Their heads are not visible, they are standing close to the camera. The person on the left is wearing a green dress, the one on the right dark trousers and a gray top. They have their hands clasped together.
Keren Cytter. Hot Lava Night. Installation view. Photo: Philipp Ottendörfer
An exhibition room in the Kunsthalle. In the foreground, a display case with 6 bright blue, 6 delicate drawings and a multicolored sheet under a hood. Behind it on the wall on the left are 4 small drawings and on the right a large colorful drawing composed of several sheets.
Keren Cytter. Hot Lava Night. Installation view. Photo: Philipp Ottendörfer
Three works drawn with a blue ballpoint pen in a corner of the room on the wall. All show rooms: twice views from a window, probably in a big city. One shows the interior of a room with a table, several chairs and a shelf in the background.
Keren Cytter. Hot Lava Night. Installation view. Photo: Philipp Ottendörfer
An exhibition room in the Kunsthalle. Two table showcases with drawings under hoods. On the walls drawings of different sizes and a text on the wall.
Keren Cytter. Hot Lava Night. Installation view. Photo: Philipp Ottendörfer
A square drawing on one wall. Bright colors, mainly yellow, green and red tones. Above it the writing: Kenneth Anger, below more text.
Keren Cytter. Hot Lava Night. Installation view. Photo: Philipp Ottendörfer
An exhibition room in the Kunsthalle. Two table showcases with drawings under hoods. On the walls drawings of different sizes and a text on the wall.
Keren Cytter. Hot Lava Night. Installation view. Photo: Philipp Ottendörfer
Two small drawings in a corner of the room, with a glass door to the left.
Keren Cytter. Hot Lava Night. Installation view. Photo: Philipp Ottendörfer
An exhibition room in the Kunsthalle. In the foreground, a display case with 6 bright blue, 6 delicate drawings and a multicolored sheet under a hood. Behind it on the wall on the left are 4 small drawings and on the right a large colorful drawing composed of several sheets.
Keren Cytter. Hot Lava Night. Installation view. Photo: Philipp Ottendörfer
A drawing composed of twelve individual sheets. The colors are very bright and cheerful. This makes the motif somewhat difficult to recognize. It looks like a room: a sofa or bed, parquet flooring, a window. Clothes are hung on hangers in the top right-hand corner.
Keren Cytter. Hot Lava Night. Installation view. Photo: Philipp Ottendörfer