Context: Bauhaus

View into the collection #9

Drei aufeinander gemalte Quadrate, von hinten nach vorn kleiner werdend. Das hintere türkis, dann dunkelgrüngrau, vorn ein kleineres in Blauviolett.
Josef Albers Blue Reminding, 1966 Serigrafie, 43 x 43 cm Sammlung Kunsthalle Bielefeld

Based on the exhibition “Play Life Illusion. Xanti Schawinsky”, the collection exhibition shows works by artists in whose environment Schawinsky moved during his time at the Bauhaus and at Black Mountain College in America. In addition, works are also on display that refer to works and concepts by selected Bauhaus artists and illustrate their impact to this day.

The Bauhaus, the renowned German art school that existed from 1919 to 1933, is still regarded today as a place of experimentation that combined different media and art forms. The central considerations of the Bauhaus artists revolved around the artistic interplay of light, form, color, space and movement.

With works by Josef Albers, Walter Dexel, Gottfried Jäger, Kurt Kranz, László Moholy-Nagy, Oskar Schlemmer and interviews with Xanti Schawinsky’s contemporary witnesses

Gallerie

32 sheets painted with watercolours next to each other. They show geometric shapes, patterns and lines that seem to evolve from sheet to sheet. Like a tracking shot that zooms ever closer to a structure.
Kurt Kranz, series Bauhaus/colour film, called ‘Leporello’, 1930/31, watercolour, gouache and pen and ink on paper, mounted on canvas. Collection Kunsthalle Bielefeld, Photo: Ingo Bustorf
A large seated human figure in profile. She is looking to the right, made of steel wire and abstracted. She is carrying a smaller naked human figure on her left hand. The latter is facing backwards and is made of silver metal. Both figures appear in relief against a white background.
Oskar Schlemmer, Wire figure Homo with back figure on his hand, 1930/31 (1968) Kunsthalle Bielefeld, Photo: Philipp Ottendörfer, © for Schlemmer: public domain
Vor einem schwarzen Raum scheinen geometrische Formen in unterschiedlichen Farben zu schweben. Manche sind transparent. Ganz hinten ein weißes Viereck mit teilweise spitzen Winkeln, davor graue Flachen wie aufgefächert. Davor ein schmales aufrechtes gelbes Viereck mit einem sehr schmalen hellblauen Rechteck. Um unteren Bereich vier rote schmale Rechtecke, die wie Latten oder ein aufgeklappter Zollstock eine an zwei Enden spitze Vierecksform bilden.
László Moholy-Nagy, Composition K XVII, 1923, oil on canvas. Collection Kunsthalle Bielefeld. Photo: Axel Struwe
Two truncated orange-red circles. One at the top left, one at the bottom right. They almost touch each other in the upper third of the sheet. A white rectangle and several black rectangles of different widths are placed on the circles.
Walter Dexel, Composition with two red discs, from ‘Mappe 1’, 1926-30. Portfolio with 6 colour silkscreens on firm wove paper. Collection Kunsthalle Bielefeld.
Drei aufeinander gemalte Quadrate, von hinten nach vorn kleiner werdend. Das hintere türkis, dann dunkelgrüngrau, vorn ein kleineres in Blauviolett.
Josef Albers, Blue Reminding, 1966, Serigrafie, 43 x 43 cm, Sammlung Kunsthalle Bielefeld, VG Bild-Kunst Bonn, 2025, Foto: Philipp Ottendörfer