Edith Dekyndt. Tell us something that nobody knows

A look at the exhibition and the two performances that took place on the opening weekend.

Nature and culture, urban and rural areas are changing profoundly, not least as a result of human activity. In these changing times, Belgian artist Edith Dekyndt (*1960 in Ypres, Belgium) focuses her attention on the often invisible, silent forces of transformation. Starting from everyday or natural materials and sounds, she sets processes of change in motion through targeted interventions. These often proceed physically or chemically and lead to painterly and sculptural manifestations. The aesthetics vary between fragility and brutality, between seduction and destruction. The works are complemented by specially developed performances in which original themes are linked to contemporary issues. The Kunsthalle Bielefeld, its location on the banks of the River Lutter and the more than 800-year history of the linen-weaving town of Bielefeld form the site-specific background to the presentation.

 

The exhibition is sponsored by

Logo-Kunststiftung-NRW
Black and white logo, left-aligned first the logo of the Sparkasse, a thick S with a dot above it. To the right of that, written in sans serif: Stiftung der Sparkasse Bielfeld.

Gallerie

Walls made of pink sandstone with white panels. On the right, a wall protrudes into the room, on which two crumpled pieces of pink paper hang. On the left, past the wall, the view extends into the next room. There, a floor-length pink fabric hangs on the left wall.
Installation view: Edith Dekyndt. Tell us something nobody knows, Kunsthalle Bielefeld, Bielefeld 2025, photo: © Barth Decobecq 2025
A large, uneven, naturally grown piece of wood. However, only the two ends are made of wood. They are connected by 3D-printed plastic that picks up the wood structure and imitates it.
Installation view: Edith Dekyndt. Tell us something nobody knows, Kunsthalle Bielefeld, Bielefeld 2025, photo: © Barth Decobecq 2025
A light-filled room with high ceilings. In the middle stands a glass display case behind a head sculpture on a white carpet. On the wall to the right hangs a piece of fabric as if on a hook. On the wall straight ahead, the fabric hangs stretched over a stick. It is brown with a wide beige stripe at the bottom.
Installation view: Edith Dekyndt. Tell us something nobody knows, Kunsthalle Bielefeld, Bielefeld 2025, photo: © Barth Decobecq 2025
A high-ceilinged room. You look sideways at five gray-blue floor-length curtains hanging from the brightly lit ceiling made of squares. The floor beneath them is made of dark wood. The middle curtain is very close, the others hang in a triangle, staggered toward the back.
Installation view: Edith Dekyndt. Tell us something nobody knows, Kunsthalle Bielefeld, Bielefeld 2025, photo: © Barth Decobecq 2025
Four glass cubes stand on a dark parquet floor. The rear two, which contain objects, are blurred. In the front left box lies a light-colored, flat cushion with a round brown object on top of it. In the front right box lies a row of small yellow and beige pieces. They appear to be organic, made of natural materials or organisms.
Installation view: Edith Dekyndt. Tell us something nobody knows, Kunsthalle Bielefeld, Bielefeld 2025, photo: © Barth Decobecq 2025
A pile of raw beetroot lies in a glass and dark steel rack. The display case seems to extend far beyond the edge of the image, both upwards and to the sides. Above the beetroot are splashes of dark red to dark purple liquid.
Installation view: Edith Dekyndt. Tell us something nobody knows, Kunsthalle Bielefeld, Bielefeld 2025, photo: © Barth Decobecq 2025
In a large room with high ceilings and wall-to-wall windows stands a long glass display case. Its frame is made of thin dark steel sheets and it stands on a light-colored carpet. Splashes of dark red to dark purple liquid are stuck all over its glass panels.
Installation view: Edith Dekyndt. Tell us something nobody knows, Kunsthalle Bielefeld, Bielefeld 2025, photo: © Barth Decobecq 2025