Kunsthalle Bielefeld
Artur-Ladebeck-Straße 5
D-33602 Bielefeld

T 0521 32999500
F 0521 329995050
info@kunsthalle-bielefeld.de

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Tue-Fri 11-18 h
Wed 11-21 h
Sat 10-18 h
Sun and holidays 11-18 h
Mondays closed

Library
Tue/Thu 14-18 h
Wed 11-13 h/14-19 h
and by arrangement

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Minimalism and more

View into the collection #3

An exhibition room in the Kunsthalle as darkness falls. The room is bathed in greenish-yellow light emanating from a fluorescent tube sculpture on the wall. Outside, trees, houses, lights and the water basin in the park.
Minimalism and more. View into the collection #3. installation view. Photo: Philipp Ottendörfer

In addition to the exhibition “Dóra Maurer. SO SEHEN UND ANDERS SEHEN”, we are showing works of minimal art and conceptual art from our own collection. These art movements, which emerged in the USA in the 1960s, form a focal point of the Kunsthalle Bielefeld’s collection. They are characterized by a reduction to elementary forms, adherence to mathematical laws and an emphasis on concept, idea, sequence and process. American representatives of this abstract formal language include Dan Flavin, Ellsworth Kelly, Sol LeWitt and Louise Nevelson. With a selection of multiples by the sculptor and draughtsman Ulrich Rückriem, we are juxtaposing these with a German artist who has been pursuing similar approaches since the late 1960s. We also present the work “Thema und Variationen I (Sprung)” by photographer Gottfried Jäger, created between 1960 and 1965, an important work that led to the founding of Generative Photography in Bielefeld in 1968.

An exhibition room at the Kunsthalle. Two flat stone sculptures lie on the parquet floor and numerous small-format works with geometric shapes on a white background hang on the wall.
Minimalism and more. View into the collection #3. installation view. Photo: Philipp Ottendörfer
An exhibition room in the Kunsthalle as darkness falls. The room is bathed in greenish-yellow light emanating from a fluorescent tube sculpture on the wall. Outside, trees, houses, lights and the water basin in the park.
Minimalism and more. View into the collection #3. installation view. Photo: Philipp Ottendörfer

More from the archive

Abstract forms such as stripes, implied rectangles, egg shapes and surfaces in different colors. Partly the colors overlap, some shapes are painted quickly and look very moved.

Action, Gesture, Paint

Women artists and abstraction worldwide 1940-70
A drawing showing two cats, the tail of another cat and some star shapes. Cats and stars look as if they were floating around each other in the air. The colors are contrasting with blue, yellow, red, orange and purple to pink.

Keren Cytter. Hot Lava Night
Two pictures hang on a wall with reflective silver foil. On the left is a photo of an old doll with a black head and thick lips. The doll is broken: the right leg lies severed in front of her. Behind her is a dark blue background. On the right, a painting with a pile of toys against a white background: dolls, stuffed animals, cars, on top of which lies a doll with long limbs and a white dress.

Christa Dichgans | Paul McCarthy

Innocent Games? Face to Face and Side by Side #9
Several red houses with trees behind them and a green meadow in front.

Brauchen und Haben

Blick in die Sammlung #6
A brown lump of cloth wrapped with twine is mounted in an old picture frame. The background is golden, the wide border blue and gold, with a fine pattern. A plexiglass hood serves to protect the work. On both sides, white fabric panels hang from the ceiling.

Katrin Mayer / Christo

Shroud or unfold. facing each other #8
A postcard, with fountain pen in old handwriting, from 1914

Hermann Stenner

Letters, sketches, drawings. View of the archive
A structure of a house built of wood. Walkable, quite low for a house, with a gable roof. On some of the wooden posts are colored circular shapes on a white background. In all four corners of the structure are corner benches. In the center of the house a cylindrical stove.

Oscar Tuazon

What we need
Eine Landschaft. Bäume, Palmen, ein

Connections

Look into the collection #5
Von unten sind Eisbrocken an der Wasseroberfläche zu sehen. Licht scheint hindurch. Darunter im Wasser ein Taucher in der Ferne. Die Farben nur weiß und graublau.

Aurel Dahlgrün

Summit
Eine türkisgrüne Farbfläche. Darauf ein ausgerissenes Stück Pappe in der Form eines Trichters. Diese Form ist grau und am rechtren Rand helltürkis.

Yto Barrada

Bad Color Combos
Eine Skulptur einer abstrahierten menschlichen Figur. Die Beine sind schmal, der Oberkörper etwas breiter. Ihre Augen sind nur durch große Augenhöhlen angedeutet. Sieht ein bisschen aus wie schnell geknetet.

Alberto Giacometti / Martin Disler

Small and big demons. with each other opposite #7
Two walls across the corner in the Kunsthalle: on the left, a large right-angled triangle with a base line pointing from bottom left to top right. Running parallel to it are broad lines in friendly colors.

Michel Majerus / Kurt Schwitters

Face to Face and Side by Side #6
Bildschirm­foto 2022-12-01 um 11.14.22

Letting rooms speak

Architecture in film
In an exhibition room of the Kunsthalle. In front of the wall-high window is a yellow-green, roundish object, about 1.60 meters high. In front of the window a curtain with an architectural photograph printed on it. Behind it, paintings on two walls.

In(visible)

View into the collection #4
dark_matter_dev

Thomas Ruff, James Welling

Dark Matter
A very dark exhibition room in the Kunsthalle. A kind of skeleton of a rowing boat hangs from the ceiling. Glowing white cords hang down from it, slightly rolled on the floor, their ends glowing like dots. At the back of the wall is a film projection with light reflections, presumably these cords in the water.

Following water